<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Art on Delfi Sol Pandiani</title><link>https://brokenbinaries.net/art/</link><description>Recent content in Art on Delfi Sol Pandiani</description><generator>Hugo -- gohugo.io</generator><language>en</language><managingEditor>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</managingEditor><webMaster>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</webMaster><copyright>© 2026 Delfi Sol (Martinez) Pandiani</copyright><atom:link href="https://brokenbinaries.net/art/index.xml" rel="self" type="application/rss+xml"/><item><title>CREATIVE WRITING</title><link>https://brokenbinaries.net/art/creative-writing/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/creative-writing/</guid><description>&lt;div class="install-split"&gt;
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 &lt;h2 class="relative group"&gt;navel of the world (2018)
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&lt;p&gt;&lt;a class="download-link" href="https://brokenbinaries.net/img/art/creative_writing/navel-of-the-world/navel-of-the-world.pdf" download&gt;DOWNLOAD&lt;/a&gt;&lt;/p&gt;
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&lt;p&gt;&lt;a class="download-link" href="https://brokenbinaries.net/img/art/creative_writing/the-capsule/the-capsule.pdf" download&gt;DOWNLOAD&lt;/a&gt;&lt;/p&gt;</description></item><item><title>INSTALLATIONS</title><link>https://brokenbinaries.net/art/installations/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/installations/</guid><description>&lt;div class="install-split"&gt;
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&lt;h3 class="relative group"&gt;Harvard University, 2017
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&lt;p&gt;Where Do We Go From Here — a structure of 14 three-sided columns made of Plexiglas and aluminum — was a public art installation displayed on Harvard University&amp;rsquo;s campus. It was conceived in the wake of the results of the Association of American Universities-led sexual conduct survey (&amp;ldquo;Campus Climate Survey on Sexual Assault and Sexual Misconduct&amp;rdquo;), which was distributed to every degree-seeking student at Harvard during the spring of 2015. Along with co-creator Devon Guinn 17&amp;rsquo;, we conceived of this interactive artwork to engage the University in exploring the devastating statistics on sexual assault that the report presented. Many students participated in fabricating and/or interacting with these columns, which were hosted previously by the Harvard residential Houses and student common spaces for a two-week period. Students were invited to write and draw on the columns, or express private thoughts on notes placed inside them. The completed columns were later presented, for viewing only, as a single art installation for a week during the Harvard ARTS FIRST Festival. They were placed in Harvard&amp;rsquo;s iconic Tercentenary Theater. The project was supported financially by the Harvard Office for the Arts and logistically by OFA Director Jack Megan, along with the assistance of artist Ross Miller &amp;lsquo;77 as technical adviser and consultant.&lt;/p&gt;</description></item><item><title>MIXED MEDIA</title><link>https://brokenbinaries.net/art/mixed-media/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/mixed-media/</guid><description>&lt;div class="install-split"&gt;
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&lt;p&gt;Plaster, acrylic, and paper on wooden trunks. Each trunk between 30 and 50 cm in diameter.&lt;/p&gt;</description></item><item><title>MURALS</title><link>https://brokenbinaries.net/art/murals/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/murals/</guid><description>&lt;div class="install-split"&gt;
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&lt;h3 class="relative group"&gt;Harvard College Women&amp;rsquo;s Center, 2014
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&lt;p&gt;This 7 x 7 ft (2,13 x 2,13 m) mural was painted to honor the experiences of Latina immigrant victims of domestic violence in the U.S. It was conceived, designed and painted on December 2014 in the basement of Lowell House, Harvard University. It was later exhibited in the Conference Room of the Harvard College Women&amp;rsquo;s Center. The mural depicts the obstacles that women face when seeking help, which include cultural, structural, situational, and institutional barriers. Latina immigrant victims find themselves in an especially precarious position because of intersecting axes of power that frame their experiences: gender, race, ethnicity, national origin, immigration status and class, among others.&lt;/p&gt;</description></item><item><title>PAINTING</title><link>https://brokenbinaries.net/art/painting/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/painting/</guid><description>&lt;div class="install-split"&gt;
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 &lt;ul&gt;
&lt;li&gt;&lt;strong&gt;San Giorgio Blue [Crack Haha] (2022)&lt;/strong&gt; — Acrylic on canvas, 40 × 30 cm., with Elisa Santos.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;(Non) Ho Pelli Sulla (2019)&lt;/strong&gt; — Acrylic on canvas, 70 × 50 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Dalí (2017)&lt;/strong&gt; — Acrylic on canvas, 100 × 120 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Ciggie Break (2021)&lt;/strong&gt; — Acrylic on canvas, 30 × 30 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Chico Blue (2026)&lt;/strong&gt; — Acrylic on canvas, 40 × 50 cm.&lt;/li&gt;
&lt;/ul&gt;
&lt;!---
- **Trunk (2021)** — Acrylic on canvas, 30 × 30 cm.
- **La Bolognesa (2019)** — Acrylic on canvas, 80 x 100 cm.
- **Violines (2019)** Acrylic on canvas, 40 x 50 cm.
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 &lt;figcaption&gt;Bearing Body Series (2017), oil on canvas.&lt;/figcaption&gt;
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 &lt;h2 class="relative group"&gt;Bearing Body Series (2017)
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&lt;p&gt;Four-part series that isolates fragments of the bearing (the feminized as potentially pregnant) figure caught mid-gesture, attending to the body as a site of weight, posture, and the quiet labor of holding a/one self together.&lt;/p&gt;</description></item></channel></rss>