<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Broken Binaries on Delfi Sol Pandiani</title><link>https://brokenbinaries.net/</link><description>Recent content in Broken Binaries on Delfi Sol Pandiani</description><generator>Hugo -- gohugo.io</generator><language>en</language><managingEditor>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</managingEditor><webMaster>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</webMaster><copyright>© 2026 Delfi Sol (Martinez) Pandiani</copyright><lastBuildDate>Tue, 18 Aug 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://brokenbinaries.net/index.xml" rel="self" type="application/rss+xml"/><item><title>TEACHING</title><link>https://brokenbinaries.net/teaching/</link><pubDate>Tue, 18 Aug 2026 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/teaching/</guid><description>&lt;hr&gt;

&lt;h1 class="relative group"&gt;Courses
 &lt;div id="courses" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h1&gt;
&lt;hr&gt;

&lt;h2 class="relative group"&gt;Master&amp;rsquo;s
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&lt;/h2&gt;

&lt;h3 class="relative group"&gt;r.M.A. Research Master&amp;rsquo;s in Media Studies, University of Amsterdam
 &lt;div id="rma-research-masters-in-media-studies-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Aesthetic Resistances in the Age of Capture [2026-2027]&lt;/li&gt;
&lt;li&gt;Hormones as Media(ting) Technologies Tutorial [2026-2027]&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;M.A. Media Studies Cultural Data &amp;amp; AI, University of Amsterdam
 &lt;div id="ma-media-studies-cultural-data--ai-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Cultural Data Analysis [2024-2027]&lt;/li&gt;
&lt;li&gt;Embedded Research Projects [2024-2027]&lt;/li&gt;
&lt;li&gt;Data Project [2024-2027]&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;M.Sc. Artificial Intelligence, University of Amsterdam
 &lt;div id="msc-artificial-intelligence-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;AI for Society [2024-2025]&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;

&lt;h2 class="relative group"&gt;Bachelor&amp;rsquo;s
 &lt;div id="bachelors" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h2&gt;

&lt;h3 class="relative group"&gt;B.A. in Gloabl Arts, Culture, and Politics (GACP), University of Amsterdam
 &lt;div id="ba-in-gloabl-arts-culture-and-politics-gacp-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#ba-in-gloabl-arts-culture-and-politics-gacp-university-of-amsterdam" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Public AI [2024-2027]&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;B.A. in Media Studies (Media and Information), University of Amsterdam
 &lt;div id="ba-in-media-studies-media-and-information-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#ba-in-media-studies-media-and-information-university-of-amsterdam" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Data-Driven Research &amp;amp; Digital Humanities Lab [2024-2025]&lt;/li&gt;
&lt;li&gt;Coding the Humanities: B.A. in Media &amp;amp; Information [2024-2025]&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;B.Sc. in Information Science for Management, University of Bologna
 &lt;div id="bsc-in-information-science-for-management-university-of-bologna" class="anchor"&gt;&lt;/div&gt;
 
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 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Web Technologies [2021-2023]&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;B.Sc. in Biological Sciences, University of Bologna
 &lt;div id="bsc-in-biological-sciences-university-of-bologna" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Computer Skills [2021-2023]&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;
&lt;hr&gt;

&lt;h1 class="relative group"&gt;Supervision
 &lt;div id="supervision" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h1&gt;
&lt;hr&gt;

&lt;h2 class="relative group"&gt;PhD Level Supervision
 &lt;div id="phd-level-supervision" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#phd-level-supervision" aria-label="Anchor"&gt;#&lt;/a&gt;
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&lt;/h2&gt;

&lt;h3 class="relative group"&gt;Institute of Logic, Language, and Computation, University of Amsterdam
 &lt;div id="institute-of-logic-language-and-computation-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#institute-of-logic-language-and-computation-university-of-amsterdam" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Montanaro, C. (2028). Co-supervision with D. Beraldo and T. Blanke.&lt;/li&gt;
&lt;li&gt;N’Daiye, B. (2029). Co-supervision with T. Blanke and P. Helm.&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;

&lt;h2 class="relative group"&gt;Master’s Level Supervision
 &lt;div id="masters-level-supervision" class="anchor"&gt;&lt;/div&gt;
 
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 &lt;/span&gt;
 
&lt;/h2&gt;

&lt;h3 class="relative group"&gt;M.A. Media Studies Cultural Data &amp;amp; AI, University of Amsterdam
 &lt;div id="ma-media-studies-cultural-data--ai-university-of-amsterdam-1" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#ma-media-studies-cultural-data--ai-university-of-amsterdam-1" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Alonso Sanz, A. (2026). &lt;strong&gt;Ornamental Bodies: Reading Patterns of Racial and Cultural Recognition through Ornamental Assembly in Synthetic Imagery&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Majumdar, J. (2026). &lt;strong&gt;All Present, None Accounted For: Entity Recognition for Bridging Archival Access Gaps&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Hanh, L. (2026). &lt;strong&gt;“Not Yet”: Queer Sabotage, Adversarial Resistance and the Colonial Politics of the Latent Space Universal Adversarial Perturbations as Critical Technical Practice in Stable Diffusion 1.5&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Elatarazova, Y. (2026). &lt;strong&gt;Prompting for Exploration: How User-Framed Epistemic Uncertainty Shapes Exploratory Affordances in Archival Chatbots&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Mazzola, F. (2026). &lt;strong&gt;The Unmarked Worker: Identity Markedness and Visual Normativity in Text-to-Image Portraiture of Labour&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Huang, J. (2026). &lt;strong&gt;Algorithmic Depoliticisation in Digital Heritage: Conversational AI and Visual Collection Interfaces as Sites of Epistemic Injustice&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Pos, R. (2026). &lt;strong&gt;Political Pixels: Investigating the Visual Discourse of /pol/ and its Role in Building an Anonymous Collective Identity During the 2024 U.S. Election Cycle&lt;/strong&gt;.&lt;/li&gt;
&lt;li&gt;Vosmeijer, J. (2026). &lt;strong&gt;&amp;ldquo;Total passoid victory&amp;rdquo;: Homonormativity and Transnormativity on 4chan’s /lgbt/.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Menehbi, D. (2025). &lt;strong&gt;The Face That Haunts the Machine: Exposing the Ghosts in AI Vision.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Klein, E. (2025). &lt;strong&gt;Synthetic Shadows: A Systematic Analysis of Postcolonial, Intersectional, and Beautification Biases in AI-Generated Imagery.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Voorzanger, L. (2025). &lt;strong&gt;Death of Man, Death of Punk: The Representation of ‘Punk’ in Synthetic Imagery via Text-To-Image AI.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Chella Raghavendran, S. (2025). &lt;strong&gt;(Da)Lit Memes for Brahmin Teens: Exploring Casteism on 4Chan.&lt;/strong&gt;&lt;/li&gt;
&lt;li&gt;Silingardi, S. (2025). &lt;strong&gt;Misogyny Repeated and Reposted: A Computational and Critical Analysis of How Toxic Memes Enact Gender Ideology through Multimodal Speech Acts.&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;M.Sc. Artificial Intelligence, University of Amsterdam
 &lt;div id="msc-artificial-intelligence-university-of-amsterdam-1" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#msc-artificial-intelligence-university-of-amsterdam-1" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Langerak, K. (2025). &lt;strong&gt;Using expert knowledge graphs to improve toxic meme detection and explanation.&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;M.A. Digital Humanities and Digital Knowledge, University of Bologna
 &lt;div id="ma-digital-humanities-and-digital-knowledge-university-of-bologna" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#ma-digital-humanities-and-digital-knowledge-university-of-bologna" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Veggi, M. (2023). [Co-supervision] &lt;strong&gt;MyTISSE: Interactive systems as enhancement tools for the sense of care in color perception.&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;hr&gt;

&lt;h2 class="relative group"&gt;Bachelor’s Level Supervision
 &lt;div id="bachelors-level-supervision" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h2&gt;

&lt;h3 class="relative group"&gt;B.Sc. Computer Science, University of Amsterdam
 &lt;div id="bsc-computer-science-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#bsc-computer-science-university-of-amsterdam" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Jheeta, J. (2025) &lt;strong&gt;Benchmarking toxic symbol detection in multimodal memes.&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;

&lt;h3 class="relative group"&gt;B.Sc. Artificial Intelligence, University of Amsterdam
 &lt;div id="bsc-artificial-intelligence-university-of-amsterdam" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
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 &lt;/span&gt;
 
&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Caballer, L. (2024). &lt;strong&gt;Patterns of toxic symbology in internet memes: Leveraging unsupervised clustering methods for the identification of structural and semantic patterns.&lt;/strong&gt;&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>PUBLICATIONS</title><link>https://brokenbinaries.net/publications/</link><pubDate>Mon, 01 Jan 2024 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/publications/</guid><description>&lt;p&gt;&lt;a href="https://scholar.google.com/citations?hl=en&amp;amp;user=aWasWbEAAAAJ" target="_blank" rel="noreferrer"&gt;GOOGLE SCHOLAR &amp;gt;&lt;/a&gt;&lt;/p&gt;

&lt;h2 class="relative group"&gt;Selected Conference Proceedings
 &lt;div id="selected-conference-proceedings" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h2&gt;
&lt;hr&gt;
&lt;p&gt;&lt;strong&gt;Martinez Pandiani, D. S.&lt;/strong&gt;, Streefkerk, E., Naudts, L., &amp;amp; Helm, P. (2026). From vulnerable data subjects to vulnerabilizing data practices: Navigating the protection paradox in AI-based analyses of platformized lives. In &lt;em&gt;Proceedings of the 2026 ACM Conference on Fairness, Accountability, and Transparency (FAccT ’26)&lt;/em&gt;. Association for Computing Machinery, New York, NY, USA, 106–128. &lt;a href="https://doi.org/10.1145/3805689.3806735" target="_blank" rel="noreferrer"&gt;https://doi.org/10.1145/3805689.3806735&lt;/a&gt;&lt;/p&gt;</description></item><item><title/><link>https://brokenbinaries.net/glitch/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/glitch/</guid><description>&lt;p&gt;The Methodological Framework: Following the GlitchPipeline StageComputational AssumptionThe Manifested &amp;ldquo;Glitch&amp;quot;Critical &amp;amp; Tactical ResponseOperationalizationHuman concepts can be mapped cleanly into discrete, computable taxonomies.Complex subjectivities break down; binary grids misclassify and erase non-normative experience.Exposing Epistemic Violence: Tracing how classification systems inherit colonial and heterocisnormative assumptions.Latent ModelingHigh-dimensional embeddings neutrally represent semantic similarity.Latent geometries encode historical power asymmetries, stereotyping, and docility regimes.Latent Space Deconstruction: Auditing the unprompted aesthetic and semantic biases of generative models.Inference &amp;amp; AlignmentAlignment algorithms produce safe, objective, and neutral conversational personas.Models hallucinate rigid human and machinic subjects to enforce coercive gendered coherence.Queer Refusal &amp;amp; Ungovernability: Strategically breaking model predictability via auto-experimentation and opacity.Intervention / AI4SGApplying AI to detect harm inherently protects vulnerable populations.The Protection Paradox: Interventions amplify exposure, surveillance, and narrative fixing.Reflexive Practice: Shifting focus from &amp;ldquo;vulnerable subjects&amp;rdquo; to the ethics of &amp;ldquo;vulnerabilizing practices.&amp;rdquo;&lt;/p&gt;</description></item><item><title/><link>https://brokenbinaries.net/research_humandigitalist/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/research_humandigitalist/</guid><description>&lt;p&gt;Abstract Labels and the AI Hype in Computer Vision&lt;/p&gt;
&lt;p&gt;What kinds of subjective, cultural labels are we asking AI models to assign to visual culture? How well do these work, and what biased visions of the world do they reproduce?&lt;/p&gt;</description></item><item><title>ABOUT</title><link>https://brokenbinaries.net/about/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/about/</guid><description>&lt;h1 class="relative group"&gt;ABOUT
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 &lt;span class="art-prompt"&gt;&amp;gt; COLLECTING DATA FROM WEB.... [OK]&lt;/span&gt; &lt;br&gt;
 &lt;span class="art-prompt"&gt;&amp;gt; FLATTENING CONTRADICTION AND COMPLEXITY... [OK]&lt;/span&gt; &lt;br&gt;
 &lt;span class="art-prompt"&gt;&amp;gt; CRAFTING A &lt;h&gt;SUFFICIENTLY COHERENT&lt;/h&gt; STORY... [OK]&lt;/span&gt; &lt;br&gt;
 &lt;span class="art-prompt cursor"&gt;&amp;gt; COHERENT STORY READY_&lt;/span&gt;
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&lt;h2 class="relative group"&gt;DELFI SOL PANDIANI
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&lt;p&gt;Delfi (Sol Martinez) Pandiani &lt;em&gt;[they//them]&lt;/em&gt; is an academic and creative researcher studying, playing with, and breaking &lt;strong&gt;codified binaries&lt;/strong&gt;. Their &lt;em&gt;&lt;a href="https://brokenbinaries.net/research/" &gt;research&lt;/a&gt;&lt;/em&gt; explores how abstract cultural concepts — especially &lt;strong&gt;identity&lt;/strong&gt;, &lt;strong&gt;toxicity&lt;/strong&gt;, and &lt;strong&gt;vulnerability&lt;/strong&gt; — are computationally modeled in datafied environments. They audit, develop, and critique AI systems, aiming to surface new ways of thinking about power, representation, and technological change. They also maintain an &lt;em&gt;&lt;a href="https://brokenbinaries.net/art/" &gt;artistic&lt;/a&gt;&lt;/em&gt; practice, especially &lt;strong&gt;painting&lt;/strong&gt;, &lt;strong&gt;mixed media&lt;/strong&gt;, and &lt;strong&gt;creative writing&lt;/strong&gt;.&lt;/p&gt;</description></item><item><title>CREATIVE WRITING</title><link>https://brokenbinaries.net/art/creative-writing/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/creative-writing/</guid><description>&lt;div class="install-split"&gt;
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 &lt;h2 class="relative group"&gt;navel of the world (2018)
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&lt;/h2&gt;
&lt;p&gt;&lt;a class="download-link" href="https://brokenbinaries.net/img/art/creative_writing/navel-of-the-world/navel-of-the-world.pdf" download&gt;DOWNLOAD&lt;/a&gt;&lt;/p&gt;
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&lt;div class="install-split"&gt;
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 &lt;h2 class="relative group"&gt;the capsule (2017)
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&lt;/h2&gt;
&lt;p&gt;&lt;a class="download-link" href="https://brokenbinaries.net/img/art/creative_writing/the-capsule/the-capsule.pdf" download&gt;DOWNLOAD&lt;/a&gt;&lt;/p&gt;</description></item><item><title>INSTALLATIONS</title><link>https://brokenbinaries.net/art/installations/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/installations/</guid><description>&lt;div class="install-split"&gt;
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&lt;h2 class="relative group"&gt;Where Do We Go From Here
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&lt;h3 class="relative group"&gt;Harvard University, 2017
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&lt;/h3&gt;
&lt;p&gt;Where Do We Go From Here — a structure of 14 three-sided columns made of Plexiglas and aluminum — was a public art installation displayed on Harvard University&amp;rsquo;s campus. It was conceived in the wake of the results of the Association of American Universities-led sexual conduct survey (&amp;ldquo;Campus Climate Survey on Sexual Assault and Sexual Misconduct&amp;rdquo;), which was distributed to every degree-seeking student at Harvard during the spring of 2015. Along with co-creator Devon Guinn 17&amp;rsquo;, we conceived of this interactive artwork to engage the University in exploring the devastating statistics on sexual assault that the report presented. Many students participated in fabricating and/or interacting with these columns, which were hosted previously by the Harvard residential Houses and student common spaces for a two-week period. Students were invited to write and draw on the columns, or express private thoughts on notes placed inside them. The completed columns were later presented, for viewing only, as a single art installation for a week during the Harvard ARTS FIRST Festival. They were placed in Harvard&amp;rsquo;s iconic Tercentenary Theater. The project was supported financially by the Harvard Office for the Arts and logistically by OFA Director Jack Megan, along with the assistance of artist Ross Miller &amp;lsquo;77 as technical adviser and consultant.&lt;/p&gt;</description></item><item><title>MIXED MEDIA</title><link>https://brokenbinaries.net/art/mixed-media/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/mixed-media/</guid><description>&lt;div class="install-split"&gt;
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 &lt;h2 class="relative group"&gt;Relieves Inseguros (2016)
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&lt;p&gt;Plaster, acrylic, and paper on wooden trunks. Each trunk between 30 and 50 cm in diameter.&lt;/p&gt;</description></item><item><title>MURALS</title><link>https://brokenbinaries.net/art/murals/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/murals/</guid><description>&lt;div class="install-split"&gt;
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&lt;h2 class="relative group"&gt;Ayúda-me
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&lt;h3 class="relative group"&gt;Harvard College Women&amp;rsquo;s Center, 2014
 &lt;div id="harvard-college-womens-center-2014" class="anchor"&gt;&lt;/div&gt;
 
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&lt;/h3&gt;
&lt;p&gt;This 7 x 7 ft (2,13 x 2,13 m) mural was painted to honor the experiences of Latina immigrant victims of domestic violence in the U.S. It was conceived, designed and painted on December 2014 in the basement of Lowell House, Harvard University. It was later exhibited in the Conference Room of the Harvard College Women&amp;rsquo;s Center. The mural depicts the obstacles that women face when seeking help, which include cultural, structural, situational, and institutional barriers. Latina immigrant victims find themselves in an especially precarious position because of intersecting axes of power that frame their experiences: gender, race, ethnicity, national origin, immigration status and class, among others.&lt;/p&gt;</description></item><item><title>PAINTING</title><link>https://brokenbinaries.net/art/painting/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/art/painting/</guid><description>&lt;div class="install-split"&gt;
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 &lt;div class="install-text"&gt;
 &lt;ul&gt;
&lt;li&gt;&lt;strong&gt;San Giorgio Blue [Crack Haha] (2022)&lt;/strong&gt; — Acrylic on canvas, 40 × 30 cm., with Elisa Santos.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;(Non) Ho Pelli Sulla (2019)&lt;/strong&gt; — Acrylic on canvas, 70 × 50 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Dalí (2017)&lt;/strong&gt; — Acrylic on canvas, 100 × 120 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Ciggie Break (2021)&lt;/strong&gt; — Acrylic on canvas, 30 × 30 cm.&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Chico Blue (2026)&lt;/strong&gt; — Acrylic on canvas, 40 × 50 cm.&lt;/li&gt;
&lt;/ul&gt;
&lt;!---
- **Trunk (2021)** — Acrylic on canvas, 30 × 30 cm.
- **La Bolognesa (2019)** — Acrylic on canvas, 80 x 100 cm.
- **Violines (2019)** Acrylic on canvas, 40 x 50 cm.
---&gt;

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&lt;section class="gallery-grid"&gt;
 
 
 
 
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&lt;!---

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&lt;div class="install-split"&gt;
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 &lt;img src="https://brokenbinaries.net/img/art/painting/bearing-body-series/bearing_body_all.png" alt="" loading="lazy" decoding="async"&gt;
 &lt;figcaption&gt;Bearing Body Series (2017), oil on canvas.&lt;/figcaption&gt;
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 &lt;div class="install-text"&gt;
 &lt;h2 class="relative group"&gt;Bearing Body Series (2017)
 &lt;div id="bearing-body-series-2017" class="anchor"&gt;&lt;/div&gt;
 
 &lt;span
 class="absolute top-0 w-6 transition-opacity opacity-0 -start-6 not-prose group-hover:opacity-100 select-none"&gt;
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&lt;/h2&gt;
&lt;p&gt;Four-part series that isolates fragments of the bearing (the feminized as potentially pregnant) figure caught mid-gesture, attending to the body as a site of weight, posture, and the quiet labor of holding a/one self together.&lt;/p&gt;</description></item><item><title>RESEARCH</title><link>https://brokenbinaries.net/research/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/research/</guid><description>&lt;header class="art-header"&gt;
 &lt;div class="art-terminal mt-6"&gt;
 &lt;span class="art-prompt"&gt;&amp;gt; DETECTING SENSIBILITY... [CRITICO-COMPUTATIONAL]&lt;/span&gt; &lt;br&gt;
 &lt;span class="art-prompt"&gt;&amp;gt; CORE INQUIRY AXES... [IDENTITY] [TOXICITY] [VULNERABILITY]&lt;/span&gt; &lt;br&gt;
 &lt;span class="art-prompt cursor"&gt;&amp;gt; FOLLOW THE GLITCH_&lt;/span&gt;
 &lt;/div&gt;
 &lt;/header&gt; 
&lt;p&gt;My research operates at the intersection of &lt;strong&gt;critical data studies&lt;/strong&gt;, &lt;strong&gt;software auditing&lt;/strong&gt;, and &lt;strong&gt;queer&lt;/strong&gt; and &lt;strong&gt;media theory&lt;/strong&gt;. I investigate how abstract, context-dependent cultural concepts—most centrally &lt;strong&gt;identity&lt;/strong&gt;, &lt;strong&gt;toxicity&lt;/strong&gt;, and &lt;strong&gt;vulnerability&lt;/strong&gt;—are operationalized, classified, and flattened within datasets, models, generative AI architectures, and platforms.&lt;/p&gt;</description></item><item><title>RESEARCH</title><link>https://brokenbinaries.net/research_old/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><author>d.s.martinezpandiani@uva.nl (Delfi Sol (Martinez) Pandiani)</author><guid>https://brokenbinaries.net/research_old/</guid><description>&lt;h1 class="relative group"&gt;RESEARCH
 &lt;div id="research" class="anchor"&gt;&lt;/div&gt;
 
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 &lt;a class="text-primary-300 dark:text-neutral-700 !no-underline" href="#research" aria-label="Anchor"&gt;#&lt;/a&gt;
 &lt;/span&gt;
 
&lt;/h1&gt;
&lt;p&gt;My work operates at the intersection of &lt;strong&gt;critical data&lt;/strong&gt; studies, &lt;strong&gt;software&lt;/strong&gt; development and auditing, &lt;strong&gt;queer&lt;/strong&gt; and &lt;strong&gt;media&lt;/strong&gt; studies, and &lt;strong&gt;anticolonial&lt;/strong&gt; epistemologies. I study how abstract, context-dependent, and inherently subjective cultural concepts—most centrally &lt;strong&gt;identity&lt;/strong&gt;, &lt;strong&gt;toxicity&lt;/strong&gt;, and &lt;strong&gt;vulnerability&lt;/strong&gt;—are operationalized, classified, and flattened within datasets, machine learning models, and generative AI architectures.&lt;/p&gt;</description></item></channel></rss>